By J. Peder Zane
Italo Calvino defined it is as a work that “has never finished saying what it has to say.” Ezra Pound said it possesses “a certain eternal and irrepressible freshness.” And the 19th-century French literary critic Charles Augustin Sainte-Beuve declared that “[it] has discovered some moral and not equivocal truth, or revealed some eternal passion in that heart where all seemed known and discovered.”
At first glance, these definitions of classic/great books seem on the mark. Under their umbrella of excellence, we can fit undisputed works of genius from “The Iliad” and “The Divine Comedy” to “Pride & Prejudice,” “Anna Karenina” and “Invisible Man.”
Unfortunately, they rest on a fallacy – that any and every book that exhibits these qualities will be considered a classic. Read more …
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